Design

Vogue World 2025: Hollywood’s Dazzling Collision of Fashion and Cinema

At the legendary Paramount Studios in Los Angeles, Vogue World 2025 transformed Hollywood into a living film reel of couture and storytelling.

Por: Rubén Carrillo
Vogue World 2025 was more than a fashion spectacle—it was a narrative-driven celebration of cinema’s most iconic eras and characters, merging two industries that have always thrived on fantasy, beauty, and reinvention. / Photo Vogue World
Vogue World 2025 was more than a fashion spectacle—it was a narrative-driven celebration of cinema’s most iconic eras and characters, merging two industries that have always thrived on fantasy, beauty, and reinvention. / Photo Vogue World

Vogue World 2025 was more than a fashion spectacle—it was a narrative-driven celebration of cinema’s most iconic eras and characters, merging two industries that have always thrived on fantasy, beauty, and reinvention.

 

In a breathtaking seven-act production, Vogue World 2025 honored every cinematic genre—from historical epics and gothic fantasies to Afrofuturist dreams and romantic comedies. 

 

Each act was led by an Academy Award-winning costume designer, whose filmography became the canvas for a new collaboration with a major fashion house.

In a breathtaking seven-act production, Vogue World 2025 honored every cinematic genre / Photo Vogue World
In a breathtaking seven-act production, Vogue World 2025 honored every cinematic genre / Photo Vogue World

A Tribute to Hollywood’s Golden Glamour

The curtain rose with “Hollywood Glamour,” directed by legendary costume designer Catherine Martin and visionary creative Miuccia Prada. 

 

Together, they revived the elegance of cinema’s Golden Age—when monochrome magic gave way to Technicolor emotion. 

 

Inspired by Moulin Rouge and The Great Gatsby, the models channeled the glitz of flappers, cabaret singers, and silver-screen icons. Sequins shimmered like stardust, and satin gloves whispered of nostalgia and grandeur.

 

But the night’s surprise opening belonged to Nicole Kidman, who stunned as “Gilda,” draped in a custom Chanel gown, performing Put the Blame on Mame

 

The crowd roared as director Baz Luhrmann called “Action!” while Kendall Jenner appeared in the original Moulin Rouge costume by Catherine Martin, paired with dazzling Tiffany & Co. jewels.

But the night’s surprise opening belonged to Nicole Kidman, who stunned as “Gilda,” draped in a custom Chanel gown, performing Put the Blame on Mame. / Photo Vogue World
But the night’s surprise opening belonged to Nicole Kidman, who stunned as “Gilda,” draped in a custom Chanel gown, performing Put the Blame on Mame. / Photo Vogue World

Rebels, Icons, and Misfits

Act II, “The Renegades,” celebrated rebellion. Designed by Colleen Atwood in collaboration with Seán McGirr for McQueen, it drew from Edward Scissorhands and Alice in Wonderland

 

Each look reimagined the misunderstood genius, the outcast, and the dreamer. Elements from The Matrix, Shaft, and Everything Everywhere All at Once collided in a visual manifesto of chaos and charm.

 

The energy was electric—a hymn to those who defy convention and rewrite their own narratives, on-screen or off.

History, Romance, and Revolution

In “Historical Heroines,” Milena Canonero and Nicholas Ghesquière of Louis Vuitton brought past centuries back to life with a modern pulse. 

 

Inspired by Barry Lyndon and Marie Antoinette, corsets were softened, hoop skirts became fluid, and regal silks shimmered under futuristic light. The act celebrated femininity as both strength and art form.

 

The following scene, “The Summer of Love,” by Arianne Phillips and Marc Jacobs, turned Paramount’s lot into a kaleidoscope of the 1960s. 

 

Think West Side Story meets Annie Hall, with a splash of Once Upon a Time in Hollywood. Tie-dye chiffons and bell-bottom tailoring danced to the rhythm of liberation.

Inspired by Barry Lyndon and Marie Antoinette, corsets were softened, hoop skirts became fluid, and regal silks shimmered under futuristic light / Photo Vogue World
Inspired by Barry Lyndon and Marie Antoinette, corsets were softened, hoop skirts became fluid, and regal silks shimmered under futuristic light / Photo Vogue World

Pushing the Boundaries of Time

“Avant-Garde,” the fifth act, blurred reality and imagination. Sandy Powell and Alessandro Michele (for Valentino) pulled inspiration from Orlando and Velvet Goldmine, merging eras, genders, and aesthetics. 

 

The resulting collection—where silk capes met latex corsets—challenged the limits of identity and fashion’s eternal evolution.

“Avant-Garde,” the fifth act, blurred reality and imagination. Sandy Powell and Alessandro Michele (for Valentino) pulled inspiration from Orlando and Velvet Goldmine, merging eras, genders, and aesthetics / Photo Vogue World
“Avant-Garde,” the fifth act, blurred reality and imagination. Sandy Powell and Alessandro Michele (for Valentino) pulled inspiration from Orlando and Velvet Goldmine, merging eras, genders, and aesthetics / Photo Vogue World

Afrofuturism: A Vision of Power

Act VI exploded with color, rhythm, and symbolism.

 

Ruth E. Carter, the Oscar-winning designer behind Black Panther, joined forces with Olivier Rousteing of Balmain to craft a futurist vision rooted in heritage. 

 

Sculptural silhouettes, metallic embroidery, and bold prints honored Black creativity’s past and future. 

 

Dancers in Balmain moved like celestial warriors—radiant, unbreakable, transcendent.

Ruth E. Carter, the Oscar-winning designer behind Black Panther, joined forces with Olivier Rousteing of Balmain to craft a futurist vision rooted in heritage. / Photo Vogue World
Ruth E. Carter, the Oscar-winning designer behind Black Panther, joined forces with Olivier Rousteing of Balmain to craft a futurist vision rooted in heritage. / Photo Vogue World

A New Frontier

The grand finale, “New World,” explored the tension between nature and progress. 

 

Jacqueline West collaborated with Pieter Mulier of Maison Alaïa, drawing inspiration from Dune and The Revenant

 

Flowing capes, armor-like textiles, and sand-toned hues embodied humanity’s eternal quest for survival and meaning.

 

As the lights dimmed, the message was clear: cinema and fashion share the same dream—to create worlds where imagination reigns.

Jacqueline West collaborated with Pieter Mulier of Maison Alaïa, drawing inspiration from Dune and The Revenant. / Photo Vogue World
Jacqueline West collaborated with Pieter Mulier of Maison Alaïa, drawing inspiration from Dune and The Revenant. / Photo Vogue World

Beyond the Runway

Every ticket sold and every exclusive Vogue World 2025 capsule item—eight custom pieces by Jerry Lorenzo of Fear of God—supported the Entertainment Community Fund.

 

Proceeds will assist costume designers and film artisans impacted by Los Angeles wildfires, while Paramount Pictures pledged its own contribution.

 

This philanthropic spirit turned the evening into something greater than spectacle—it became an act of cultural preservation and creative solidarity.

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