Culture

Tiffany’s Triumph: Christie’s Design Sale Redefines the Market

Tiffany Studios leads Christie’s $23.6M Design Sale as decorative arts thrive amid a shifting global market. Discover the rare pieces that reshaped collector priorities.

Por: Angela Leon Cervera
Tiffany Studios
TIFFANY STUDIOS 'The Goddard Memorial Window' for St. Luke’s Episcopal Church, East Greenwich, Rhode Island, 1909-1910. Courtesy of Christie's

When the Goddard Memorial Window by Tiffany Studios shattered its high estimate at Christie’s with a $4.285 million sale, it didn’t just light up the room—it illuminated an evolving collector psyche. In a global art market losing altitude, Tiffany’s radiant leaded glass reasserted the enduring value of beauty, rarity, and history.

 

Christie’s Design Sale raked in $23.6 million across its two May 2025 auctions, bolstered by record-shaking Tiffany, strong showings by Alberto Giacometti, and the whimsical might of Les Lalanne.

 

At a time when the high-end fine art sector has dipped 39% in value, the buoyancy of decorative arts is rewriting the rules of desirability and demand.

Tiffany Studios
TIFFANY STUDIOS 'The Goddard Memorial Window' for St. Luke’s Episcopal Church, East Greenwich, Rhode Island, 1909-1910. Courtesy of Christie's

What Made Tiffany Studios the Star of Christie's Design Sale?

  • The Goddard Memorial Window, a six-foot-tall masterpiece by Tiffany Studios, soared past expectations to fetch $4.285 million, becoming the second-highest price ever for a Tiffany work.

  • This follows the record-breaking $12.5 million sale of the Danner Memorial Window at Sotheby’s in late 2023.

  • Museum acquisitions by the Met and Crystal Bridges have helped reframe Tiffany windows as fine art, catalyzing their market ascent.

  • Tiffany’s blend of opalescent Favrile glass, spiritual imagery, and floral aesthetics resonates deeply with today’s collectors seeking storied and livable masterpieces.

The philanthropic nature of the Goddard sale, benefiting St. Luke’s Church, only enhanced its halo. In an era craving meaning, Tiffany’s works offer more than craftsmanship—they offer cultural continuity.

Tiffany Studios
ALBERTO GIACOMETTI (1901-1966) Important and Rare 'Oiseau', Curved Version, circa 1937. Courtesy of Christie's
Tiffany Studios
CLAUDE LALANNE (1925-2019) 'L'Enlèvement d'Europe', designed 1990. Courtesy of Christie's

Why Are François-Xavier and Claude Lalanne's Works Skyrocketing?

  • François-Xavier Lalanne’s Le Métaphore (Canard-Bateau) crushed its estimate by over 400%, closing at $667,800.

  • His Rhinocéros bleu also leapt to $327,600, nearly five times its top estimate.

  • Claude Lalanne’s Structure végétale aux papillons… chandelier hit $1.865 million, while her monumental L’Enlèvement d’Europe doubled its 2013 value.

Les Lalanne’s appeal is no mystery. Their surreal, functional sculptures are “easy to live with” while carrying the cachet of fine art.

 

Their market is blooming not only due to scarcity, but because their pieces blur the lines between design, fantasy, and daily life.

How Is the Decorative Arts Market Outperforming Fine Art?

  • While total art sales dropped 12% in 2024, transactions under $5,000 surged 13% in volume.

  • Decorative arts fell only 6.8% in 2023, and average prices rose 13.2%, hitting $18,401.

  • High-end fine art ($10M+) cratered by 39%, but design sales held steady.

This shift reveals a market becoming more democratic and thoughtful. Buyers are choosing art that fits their homes, lives, and values. It’s less about trophies, more about resonance.

 

Decorative pieces like Tiffany windows and Lalanne animals offer that rare hybrid: museum-worthy gravitas with everyday enchantment.

Tiffany Studios
FRANÇOIS-XAVIER LALANNE (1927-2008) 'Le Métaphore (Canard-Bateau)', circa 2002. Courtesy of Christie's

Christie’s recent success shows that the future of collecting may lie in works that tell stories, integrate into life, and defy rigid categorization.

 

As Tiffany Studios climbs the fine art ranks and Lalanne’s bestiary delights collectors new and old, one thing is clear: design isn’t playing second fiddle anymore. It’s the headline act.

Glass, Bronze, and Bidding Wars

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