Linda Kohen and Malin Bülow’s collaboration at Piero Atchugarry Gallery brings together two distinct artistic worlds. Kohen’s introspective exploration of memory and daily life merges with Bülow’s dynamic and boundary-pushing works on bodily elasticity, offering a unique artistic experience that challenges traditional art forms.
Art thrives on intersections—where ideas, mediums, and histories collide. The recent announcement of Linda Kohen and Malin Bülow joining the Piero Atchugarry Gallery is one such moment. It’s a meeting of two distinct artistic worlds: Kohen’s introspective intimacy and Bülow’s boundary-pushing elasticity.
Together, they redefine the gallery’s narrative, offering viewers an experience that stretches both the mind and the senses.
Linda Kohen, born in Milan in 1923, carries a legacy steeped in resilience and introspection. Escaping anti-Semitic laws in Italy, she found refuge in Uruguay, where her art blossomed.
Kohen’s work is deeply personal—a metaphysical exploration of memory, solitude, and daily life. Her paintings often feature intimate objects like beds, tables, or mirrors, transforming them into symbols of human fragility and permanence.
Her oeuvre reflects a muted palette and stripped-down composition, reminiscent of Giorgio Morandi’s quiet yet profound style. Kohen’s ability to capture fleeting moments—her skirt hem caught mid-step or a table set for four—invites introspection.
It’s art that whispers rather than shouts, drawing viewers into her emotional world.
Malin Bülow, based in Oslo, Norway, takes a radically different approach. Her work merges performance, textile art, and sculpture to explore the body’s elasticity—both physical and metaphorical.
Using membranes as extensions of human movement, Bülow creates tension between protection and restriction. Her installations are site-specific marvels where dancers activate spaces, turning architecture into living sculptures.
Bülow’s art challenges traditional notions of form and function. By blending fluidity with monumental scale, she invites audiences to question the limits imposed on bodies by societal norms and physical structures.
The union of Kohen and Bülow at the Piero Atchugarry Gallery is more than just a collaboration; it’s a dialogue between intimacy and expansiveness.
Kohen’s quiet reflections on domestic life contrast with Bülow’s dynamic explorations of bodily movement. Yet both artists share an underlying theme: the human condition.
Kohen’s paintings evoke stillness—a pause to contemplate life’s mysteries—while Bülow’s performances demand engagement, urging viewers to move with her elastic forms. Together, they create a symphony of opposites that enriches the gallery’s narrative.
This partnership marks a milestone for the Piero Atchugarry Gallery as it expands its roster with two artists who challenge conventions in their own ways. Kohen brings decades of wisdom rooted in existential inquiry; Bülow adds fresh perspectives on modern identity through movement and materiality.
Their works complement each other by juxtaposing stillness with motion, introspection with interaction. For audiences, this collaboration offers an unparalleled opportunity to experience art that resonates across time and space.
Linda Kohen and Malin Bülow joining Piero Atchugarry Gallery isn’t just an addition—it’s a transformation. Their combined presence bridges history with innovation, inviting us to explore life through contrasting lenses of intimacy and elasticity. As their works unfold within the gallery walls, they promise to leave an indelible mark on contemporary art.
Don’t miss the opportunity to experience the dynamic collaboration between Linda Kohen and Malin Bülow at Piero Atchugarry Gallery—where intimacy meets elasticity in contemporary art. Share this with fellow art lovers and stay tuned for more exciting updates from the gallery in our upcoming features!
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