Culture

Crafting Culture: Jeremy Frey’s path to artistic renown

Jeremy Frey is a basket maker whose dedication to his craft results in creations that are as intricate as they are time-consuming.

Por: Alejandro Carrillo
Crafting Culture: Jeremy Frey’s path to artistic renown / Photo via Art Basel
Crafting Culture: Jeremy Frey’s path to artistic renown / Photo via Art Basel

The process begins with Jeremy Frey trekking through the woods of Central Maine to hand-harvest ash trees. From there, he spends days stripping bark, pounding tree trunks to separate their growth rings, and cutting layers of wood into flexible strips. These materials then undergo weeks of careful weaving in Frey’s studio, where he refines each piece to perfection before it is ready for exhibition or sale.

 

Despite the slow, deliberate nature of his work, Frey’s career has recently gained significant momentum. Over the past 18 months, he has achieved several career milestones. These include his first solo museum exhibition, a debut gallery show in New York, and a presentation at Art Basel Miami Beach.

Crafting Culture: Jeremy Frey’s path to artistic renown / Photo via Art Basel
Crafting Culture: Jeremy Frey’s path to artistic renown / Photo via Art Basel

His work has garnered attention from major outlets such as The New York Times and PBS News Hour. Institutions like the Metropolitan Museum of Art and the Baltimore Museum of Art have acquired his baskets for their collections. In a particularly notable achievement, Frey became the first Indigenous artist to win the prestigious Rappaport Prize in August, an honor accompanied by an unrestricted $50,000 grant.

Crafting Culture: Jeremy Frey’s path to artistic renown / Photo via Art Basel
Crafting Culture: Jeremy Frey’s path to artistic renown / Photo via Art Basel

Tradition meets modern expression

Frey’s basket-weaving journey spans more than two decades, during which he has pushed the boundaries of traditional techniques. While deeply rooted in cultural heritage, his works embrace contemporary aesthetics.

 

His recent solo exhibition at the Portland Museum of Art was a resounding success, becoming the museum’s second most popular show, surpassed only by a Winslow Homer exhibition. The exhibition, titled Woven, is currently on a nationwide tour, with its next stop at the Art Institute of Chicago. This mid-career retrospective features more than 50 of Frey’s baskets, showcasing the evolution of his craft.

Crafting Culture: Jeremy Frey’s path to artistic renown / Photo via Art Basel
Crafting Culture: Jeremy Frey’s path to artistic renown / Photo via Art Basel

Frey comes from a lineage of basket makers. He was born on the Passamaquoddy Indian Township Reservation, one of the five communities that form the Wabanaki Confederacy spanning northern New England and parts of Canada. As a seventh-generation basket maker, Frey learned the basics of the craft from his mother. However, he only fully embraced basket weaving in his twenties as a way to overcome personal struggles.

From struggles to success

Over time, Frey has introduced innovative techniques to traditional basket weaving. Using ash, sweetgrass, cedar bark, and other natural materials, he experiments with new forms, weaving patterns, and vibrant color schemes. He dyes the wood to incorporate bold hues such as purples, reds, blues, and turquoise into his work.

 

One of his signature methods involves crafting double-layered baskets with distinct inner and outer layers. Recently, he has added intricate details to his creations, such as porcupine quill embroidery depicting animals and landscapes.

Crafting Culture: Jeremy Frey’s path to artistic renown / Photo via Art Basel
Crafting Culture: Jeremy Frey’s path to artistic renown / Photo via Art Basel

Frey’s rise in the broader art world reflects a growing appreciation for Indigenous art and textiles. Through his innovative approach and commitment to his craft, Frey has successfully brought an age-old tradition into a contemporary context, making his baskets highly sought-after by collectors and institutions alike.

 

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